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The last shot to be filmed in principal photography for Star Trek VI: The Undiscovered Country in 1991 was the final scene on the Enterprise-A bridge with Kirk and his crew. It was an emotionally-charged moment, and a lot of visitors gathered around the set to take in the proceedings. Director Nicholas Meyer called for a wide shot of the set, taking in the entire cast. The camera pushed gently in to Kirk, who reflected pensively on the end of an era. After that, William Shatner remained in his captain's chair as he recorded his voice track for Kirk’s final captain’s log.

And that was it. The director said "cut!" and it was a wrap for Star Trek VI. Well, almost. The cast and crew gathered in front of the set for a champagne toast. Denise and I remained on the bridge for a few moments to absorb the ambience. Then Denise noticed a strange smell. One of the video monitors had overheated and caught fire! It was one of the screens directly behind the captain's chair. It was just a small flame, and I tried to smother it a blanket. Meanwhile, Denise alerted one of the special effects technicians, who grabbed a fire extinguisher and put the small fire out very quickly. No big deal. After the commotion died down, we joined our coworkers in toasting the completion of the film.

Today (Fri Dec 6, 2024) is the 33rd anniversary of the release of Star Trek VI.

Robin Curtis discusses her long journey in "Becoming Saavik," recalling her work with Leonard Nimoy, and reflecting on the emotional experience of returning to the character in "765874 Unification," the new concept video from the Roddenberry Archive and OTOY, Inc. We produced "Becoming Saavik" with Roger Lay, Jr, and the Roddenberry Archive/OTOY team.

Stunt Driving sequences over the years:

Love to hear some opinions or better still some first-hand reports.
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Labor Day 2024: I work for (mostly) good people whose legitimate business interests are often at odds with mine. I need strength in my corner to ensure that my equally-legitimate interests aren't trampled. That's why I'm a union member: IATSE Art Directors Guild - Local 800

Marilyn Monroe required 47 takes to get "It's me, Sugar" correct in "Some Like it Hot" (1959), instead saying either "Sugar, it's me" or "It's Sugar, me". After take 30, Billy Wilder had the line written on a blackboard. Another scene required Monroe to rummage through some drawers and say "Where's the bourbon?" After 40 takes of her saying "Where's the whiskey?", 'Where's the bottle?", or "Where's the bonbon?", Wilder pasted the correct line in one of the drawers. After Monroe became confused about which drawer contained the line, Wilder had it pasted in every drawer. Fifty-nine takes were required for this scene and when she finally does say it, she has her back to the camera, leading some to wonder if Wilder finally gave up and had it dubbed.

After shooting was completed, Wilder threw a celebration dinner at his home for cast members and friends. Monroe was not invited. The crushed star had to have it explained to her that she had cost the production roughly half a million dollars with her delays and unprofessional behavior. Wilder had generally unkind things to say about her after this film. When asked if he would do another project with her, he replied, "My doctor and my psychiatrist ... tell me I am too old and too rich to go through this again." After reading some of the things Wilder said about her in print, Monroe called his home and told his wife to please give her husband the message - "to go f*** himself." Wilder changed his tune later, commenting, "It takes a real artist to come on the set and not know her lines and yet give the performance she did." A year later, at the premiere of "The Apartment" (1960), Monroe threw her arms around him, told him how much she loved the picture, and whispered that she would like to play the lead in "Irma la Douce" (1963), a role that eventually went to Shirley MacLaine.

Tony Curtis has said that he asked Wilder if he could imitate Cary Grant for his stint as the millionaire in the movie. Wilder liked it and they shot it that way. Apparently, Grant saw the parody of himself and stated, jokingly, "I don't talk like that."

Jack Lemmon wrote that the first sneak preview had a bad reaction with many audience walkouts. Many studio personnel and agents offered advice to Wilder on what scenes to reshoot, add and cut. Lemmon asked Wilder what he was going to do. Wilder responded: "Why, nothing. This is a very funny movie and I believe in it just as it is. Maybe this is the wrong neighborhood in which to have shown it. At any rate, I don't panic over one preview. It's a hell of a movie." Wilder held the next preview in the Westwood section of Los Angeles, and the audience stood up and cheered. (IMDb)

Happy Birthday, Billy Wilder!

#IASolidarity
As IATSE members we grind day in and day out behind the scenes to bring tv shows and movies to life for billions of viewers.

The Hollywood Studios need to show up and offer IATSE workers the contract we deserve.

Listen to IATSE International Vice President Mike Miller on Deadline's 'Strike Talk' Podcast discussing the ongoing negotiations between IATSE and the AMPTP. #IASolidarity #ManyCraftsOneFight

Interesting new perspective of AI: Artificial Intelligence:

Also, check out the Roddenberry Archive's remarkable two-part conversation with David Gerrold. The writer delves into his work on the original Star Trek, his complicated relationship with Gene Roddenberry, ST:TNG, his career after Trek, and a lot more, including the shattering trauma that became an inspiration that changed his life for the better.

Our latest project: The Roddenberry Archive takes us on a stroll through Deep Space Nine's promenade. Thanks to museum-quality virtual re-creations by the Archive's talented digital artists, DS9's Armin Shimerman takes us on a tour of one of Star Trek's greatest sets in this new mini-documentary.

They just don't make 'em like they used to.....

What do you think?

The Oscars, Emmys, and so many of the other Awards Shows on Network Television seem to have lost the point of honoring those that have gone before us in their "In Memoriam" segments by favoring the musical performance that accompanies the prerecorded video presentation.

At least Turner Classic Movies does a better job in their online presentation from 2024:

Feel free to post the names of anyone that they missed along with any of their noteworthy contributions to the industry:

Jeffrey Morris is moving forward on his documentary on Space: 1999's iconic Eagle spacecraft, now titled "The Eagle Obsession." Check out his new trailer. I can't wait to see the finished product!
https://vimeo.com/911578603